ROGER SIMON: Soul Corruption: Tucker, Candace and Steve.

I didn’t want to write about this. Oh, how I didn’t want to write about this. I was hoping it would just go away, like the worst of bad dreams.

But it kept recurring. And growing worse, almost to the point of metastasizing into an incurable tumor, a pancreatic cancer of the soul.

Would they soon be accusing us of murdering gentile children to obtain blood for our matzoh as they did in Norwich, England, 1144? Or would they burn the Talmud as was done in Paris when all books were hand written by scribes, 1242?

After all, we were now being accused of being behind the murder of Charlie Kirk with no more evidence than that deranged blood libel from the Middle Ages.

And, yes, I know the Democrats are a hundred times worse. The execrable Jimmy Kimmel was just pulled off the air by ABC for telling the most obvious lie about the Charlie Kirk assassination and he’s far from the worst of them, not even close to the Mamdani “globalize the intifada” crew.

Even so I didn’t want to write about it. I had promised myself, following the advice of the Lubavitcher Rebbe and others, that the best, most effective road forward was always to stay positive.

Speaking of which, it was that half-Jewish, half-gentile songwriting team of Harold Arlen and Johnny Mercer who wrote “Ac-Cent-Tchu-Ate the Positive,” based on a sermon by a black man, Charles Manuel “Sweet Daddy” Grace , that became a big hit for Bing Crosby and The Andrews Sisters in the middle of World War II (1944).

So positivity can come from all quarters in the worst of times. You just have to pay attention to life and the right path.

Nevertheless—and sorry it took so long to get here—sometimes you’ve just gotta say ya basta, enough already.

So roll back with me roughly three years ago this coming winter. My wife and I were sitting in a small bistro on a posh island on the Gulf side of Florida with Tucker Carlson. I had texted Tucker, who spent the cold months on the island, that we were going to be there and hoped to have lunch.

We had a nearly three-hour meal together, gabbing and having a fine time, in agreement about everything under the sun. Tucker was great fun and I thought we were becoming better friends. In fact, we texted every week or so thereafter and he quite graciously gave me a stellar blurb for my then new book, American Refugees, that became the name of this Substack. Because of his fame, the publisher put that blurb on the front cover of the book, rather than the back where they usually appear. It remains there to this day, faute de mieux.

And then the roof fell in.

Read the whole thing.

 

LIFE AFTER TELEVISION: TV expert reveals the next late-night host to get the boot after Kimmel suspension and who will be the last man standing.

Seth Meyers is the next late-night talk host to face the axe after Jimmy Kimmel‘s suspension, a TV expert has predicted.

Professor Robert Thompson, who founded the Bleier Center for Television and Popular Culture at Syracuse University, shared his gloomy forecast with the Daily Mail a day after Kimmel’s show was pulled over comments he made about Charlie Kirk.

‘There is a theme going on here,’ Thompson said, discussing Kimmel’s ‘indefinite’ suspension and the looming cancellation of The Late Show With Stephen Colbert.

He pointed to the clear shift away from the politically charged jokes of late-night hosts like Colbert, Kimmel and Meyers.

‘It could very well be that [Jimmy] Fallon is the last guy standing,’ Thompson said.

‘Meyers is the one guy doing this type of comedy who hasn’t been fired yet. These last stories indicate that era is over.

‘I can see a period in the very near future where Fallon is the last franchise left – the oldest franchise, at that.’

Thompson went on to compare Fallon’s ‘apolitical’ approach to that of late-night legends Johnny Carson and Jay Leno.

* * * * * * * * *

If Kimmel doesn’t return to ABC, ‘NBC will be the only broadcast network with comedy people doing this type of format’ after Colbert departs CBS next year., Thompson said.

He added that linear television had already been deteriorating before the pandemic, and that for ‘all of the next generation who grew up watching Colbert and Kimmel, broadcast television isn’t the place for them.’

‘Substack and YouTube is where the action is and where the audiences are. Every decision made by legacy companies is indicating that.

Iowahawk issues a timely note as to what viewers are still using television to consume:

As always, be careful if you run into anyone who actually still gets their news from TV:

(Classical reference in headline.)

GREAT MOMENTS IN ANALOGIES:

So Charlie Kirk is Hitler, Trump is Hitler, and every Republican president since Calvin Coolidge is Hitler. And concurrently, exercise, low crime, secure borders, and Sydney Sweeney’s ta-tas are all fascism. In February, when CBS’s Margaret Brennan absurdly claimed to Marco Rubio that JD Vance “was standing in a country where free speech was weaponized to conduct a genocide,” Mark Steyn responded, “I did not think it was possible to despise the ‘mainstream’ media more than I already did. In a society thoroughly moronized by Brain-Dead Brennan and her ilk, Hitler is the sole remaining historical figure anybody’s heard of. And they can’t even get that right.”

HOW IT STARTED: CNN Clown to Obama: ‘Go Gangsta Against Your Foes.’

JammieWearingFool, February 11th, 2010.

How it’s going: CNN: ‘Wannabe Mob Boss’ Trump Brings Us ‘Dangerously Close to State-Run Media.’

In the context of a discussion of the suspension of Jimmy Kimmel’s show and related matters, today’s CNN This Morning aired a clip of Rep. Daniel Goldman [D-ActBlue Jeans] calling President Trump a “wannabe mob boss.”

Meghan Hays, a former Biden aide and a CNN analyst, agreed with Goldman, then proceeded to claim:

“We are running dangerously close to state-run media . . . We are losing our democracy. They’re dismantling democracy by doing this.”

I need more context here. In CNN-land, where the network made their bones fluffing Castro, Saddam Hussein, and Kim Jong Il, is this suddenly a bad thing now? The Mote in CNN’s Mini-Cam.

SASHA STONE: Robert Redford Takes the Best of Hollywood With Him.

The ending of Quiz Show is memorable too, but not in the same way as Ordinary People or A River Runs Through It. It is not cathartic but ominous. It marked the era where everything began to change, where the Left planted the seeds that would ultimately lead to the Obama presidency and the utopia we built in his image.

The conclusion here about quiz shows is applied to politics, too. That was all of us waking up in the 1990s amid the therapy era, which Ordinary People helped launch. This depicts the cynicism of this age, or what they call in the Fourth Turning, the “unraveling.” It is cynical and hopeless, which helps explain why the Obama era became almost a religion, or at the very least, took the place of religion.

What I always loved about these three movies was how Redford worked out his own duality of being two people. He was the movie star, the golden boy, but he was also someone who saw himself fading into the background, the watcher, the introvert.

Read the whole thing. Exit quote: “Hollywood no longer makes movies like these. The best of what they ever did will die with Robert Redford. What they make now are endless apologies and virtue signals at best, and agonizing lectures at worst.”

UPDATE:

TWENTY MINUTES INTO THE FUTURE:

QED:

Frum isn’t the only center-left person with a serious case of amnesia:

Meanwhile, as with Colbert jawboning against Trump, having the FCC to blame allows ABC/Disney to simultaneously terminate a financial sinkhole and play the martyr while they clean house: Jimmy Kimmel’s ratings were plummeting before ABC suspended him for Charlie Kirk comments.

JOHN NOLTE: Unity Achieved: MAGA Supports Democrat Boycott of Disney/ABC over Jimmy Kimmel Cancellation.

Democrats want unity, and I think a work stoppage at Disney/ABC is something that can finally bring us together.

“Every major talent that works for ABC and Disney should refuse to show up for work until Jimmy Kimmel is reinstated,” Marvel director Wajahat Ali wrote on X. “Marvel movies need to shutdown. Ditto the sitcoms. Collective boycott.”

He added: “Corporations love money more than anything, & this will really harm them and force them to do the right thing.”

Jimmy Kimmel — a uniter, not a divider! “Every major talent that works for ABC and Disney should refuse to show up for work until Jimmy Kimmel is reinstated. Marvel movies need to shutdown. Ditto the sitcoms.

No, really, take as much time as you need. Make the Hollywood strike of 2023 seem like an extended holiday weekend, and get the viewers and the moviegoers involved, too:

Exit quote from Nolte: “Kimmel committed an ethical breach of conduct and a blood libel. So, now the left-wing blacklisters are cornered. The reaping phase has begun. And all they can do — tee hee — is target one of their own (Disney/ABC) for annihilation as they move over to our side of the aisle raging against cancel culture. This is glorious.”

HOUSING TO NOWHERE EARMARK: Buried in that lengthy list of nearly 14,000 earmarks sought by senators is one for Alaska’s Republican Sen. Lisa Murkowski for $2 million in housing project funding. Nothing unusual about that, so far.

Then we learn that the South Naknek housing project is for a village with 67 residents. The place is so remote that the few kids living there must use an airplane to get to and from school! Chuck Schumer has an earmark that will make the New York Met Opera sing, and Hawaii’s two Democrat senators, Hirono and Schattz, want nearly $7 million for a bike path. Details here in The Washington Stand.  

HOW WE GOT HERE:

Obama was also prepared to aim much lower if it suited him:

And then there was Obama’s third term, or at the very least, the Obama-era retreads in “Biden’s” administration:

GEORGE MF WASHINGTON: Like Golfballs Through A Garden Hose…This is the streaming suck of our lives.

Director Spike Lee and Denzel Washington represent one of the most iconic director/movie star pairings in modern Hollywood history. There was a time not so long ago when a Spike Lee/Denzel Washington movie would have been a massive cultural event. And yet here I was in a room with a group of very smart movie people who had no idea that “Highest 2 Lowest”, this duo’s fifth collaboration and their first in almost 20 years, had just been released in theaters.

Why?

The answer, in a word, is “streaming.”

* * * * * * * *

Apple and A24 were trying to convince you to hold two contradictory thoughts in your head at the same time…

  1. “Highest 2 Lowest” is a great movie worthy of Oscar consideration, but also…
  2. “Highest 2 Lowest” isn’t good enough to be worth a night out… don’t bother paying a babysitter, making dinner reservations and going out to see it in a theater… better to just wait for it to be available on your TV where you can watch with the lights on while scrolling X, yelling at the kids to be quiet in the next room, and finally resorting to watching the movie with the subtitles on because the neighbors’ house party is going off next door.

Thanks to the ubiquity of “streaming suck,” “Washington” describes the movie industry being in the Glenn Close Fatal Attraction “I won’t be ignored!!!!” moment of its existence. Her (spoiler alert) shock return at the climax of the movie is akin to what Rob Long describes in the new issue of Commentary as the stereotypical “third act boo” scene in slasher movies: In Show Business, No One Can Hear You Scream.

We’re all looking for signs that this terrible slasher movie is over and we can go back to making romantic comedies and adult dramas. But the third-act boos keep coming.

So when the final installment of Tom Cruise’s mega-smash Mission: Impossible series opened with a strong weekend box office and generally positive audience response, it must have felt like everything was going to be okay to Paramount Studios—itself exhausted and bleeding from a yearlong takeover wrangle. The movie made nearly $600 million worldwide, which sounds awfully good until you remember it cost about $400 million to make. Even the bankable moviemaking genius of Tom Cruise couldn’t escape the third-act boo.

And when the re-envisioned Marvel superhero movie The Fantastic Four: First Steps opened this summer to one of the strongest weekend box office takes in recent memory, it wasn’t just the employees of Marvel Studios and its parent company Disney that celebrated. All of show business set aside its usual bitter jealousies and rejoiced: The Summer Blockbuster is back! The next weekend, though, the movie ta